| # | Plugin | Target | Nota |
|---|---|---|---|
| 1 | Pultec EQP-1A | –18 RMS | 60 Hz boost + atten sutil / 10 kHz aire leve |
| 2 | Fairchild 670 | –16 RMS | 1–2 dB GR · glue musical |
| 3 | Studer A800 | –14 LUFS | Cohesión analógica |
| 4 | Oxford Inflator | –13 LUFS | 15–25% · densidad controlada |
| 5 | God Particle | –12 LUFS | Balance espectral + micro-dinámica |
| 6 | ATR-102 | –11.5 LUFS | Profundidad estéreo natural |
| 7 | Oxford Limiter | –10 LUFS / –1 dBTP | 1–2 dB GR máximo |
| # | Plugin | Target | Nota |
|---|---|---|---|
| 1 | Lindell 80 Series | –18 RMS | Tilt tonal sutil |
| 2 | Capitol Compressor | –16 RMS | 1 dB GR |
| 3 | Studer A800 | –14 LUFS | Punch cohesivo |
| 4 | God Particle | –12 LUFS | Control moderno del espectro |
| 5 | ATR-102 | –11.5 LUFS | Apertura y profundidad |
| 6 | Oxford Limiter | –10 LUFS / –1 dBTP | Loudness transparente |
| # | Plugin | Target | Nota |
|---|---|---|---|
| 1 | Studer A800 | –17 RMS | Color inicial |
| 2 | Drawmer S73 | –16 RMS | Densidad paralela |
| 3 | Magma Tube III | –14 LUFS | Grit armónico |
| 4 | Oxford Inflator | –13 LUFS | Re-densificación |
| 5 | God Particle | –12 LUFS | Rebalance post-color |
| 6 | ATR-102 | –11.5 LUFS | Profundidad estéreo |
| 7 | Stealth Limiter | –10 LUFS / –1 dBTP | Control final |
| # | Plugin | Target | Nota |
|---|---|---|---|
| 1 | UADx Pultec EQP-1A | –18 RMS | +1 dB @ 60 Hz / +1 dB @ 12 kHz |
| 2 | UADx Fairchild 670 | –16 RMS | 1–2 dB GR · time constant 2 |
| 3 | UADx Studer A800 | –15 LUFS | IPS 15 / Drive 1–2 |
| 4 | Cradle God Particle | –13 LUFS | Drive +1 / Density 20 |
| 5 | UADx Ampex ATR-102 | –12 LUFS | Bias +2 / HF +1 |
| 6 | T-RackS Stealth Limiter | –10–11 LUFS / –1 dBTP | 1–2 dB GR |
| # | Plugin | Target | Nota |
|---|---|---|---|
| 1 | T-RackS Linear Phase EQ | –18 RMS | HPF 30 Hz |
| 2 | Oeksound soothe2 | –17 RMS | Depth 35% |
| 3 | UADx Capitol Mastering Comp | –15 LUFS | GR 1 dB |
| 4 | MAAG EQ2 | –14 LUFS | +1.5 dB Air Band |
| 5 | Cradle God Particle | –12.5 LUFS | Character Modern |
| 6 | UADx Precision Limiter | –10–11 LUFS | Transparente |
| # | Plugin | Target | Nota |
|---|---|---|---|
| 1 | UADx 1176 Rev E | –18 RMS | GR 2 dB |
| 2 | Pulsar W495 | –16 RMS | +0.5 dB low / +1 dB air |
| 3 | UADx Studer A800 | –14 LUFS | Drive 2 |
| 4 | T-RackS Classic Clipper | –13 LUFS | Soft clip 10–15% |
| 5 | God Particle | –12 LUFS | Drive +2 |
| 6 | Stealth Limiter | –10 LUFS | Ceiling final |
| # | Plugin | Target | Nota |
|---|---|---|---|
| 1 | Pulsar W495 | –18 RMS | Sculpt muy suave |
| 2 | soothe2 | –16 RMS | Depth 25% |
| 3 | UADx Fairchild 670 | –15 LUFS | GR 1 dB |
| 4 | UADx ATR-102 | –13 LUFS | Tape width |
| 5 | God Particle | –12 LUFS | Character Wide |
| 6 | Precision Limiter | –11 LUFS | Control final |
| Soul / Jazz / Rock orgánico | Analog Depth / Analog Core |
| Pop / Indie moderno / Electrónica limpia | Modern Open |
| Rock / Funk / Alt | Color & Punch |
| Ambient / Cinematic / Atmósferas | Wide Cinematic |
| Mezcla con mucho grit / textura | Rough Statement / Texture Wide |
| Objetos individuales | ✔ perfecto |
| Grupos pequeños | ✔ a veces |
| Atmos master | ❌ evitar |
| Mono reverb objects | ✔ ideal |
| FX buses | ✔ válido |
| Stereo reverb en master | ❌ nunca |
| Voz, lead, percusión | Objeto → se mueve |
| Pads, ambientes | Bed → envuelve |
| Objeto borroso | cortar 200–400 Hz |
| Objeto lejano | boost 3–5 kHz |
| Objeto demasiado frontal | reducir 4–6 kHz |
| Percusión | 1176 |
| Voces | LA-2A |
| Buses | Fairchild |
| Transient control | spiff |
| Saturación antes del espacio | ✔ |
| Saturación después del reverb | ❌ |
| Lead | reverb corta |
| Objeto lejano | reverb larga |
| Ambiente | muy difusa |
| íntimo | Layer 1 — sin reverb, presencia absoluta |
| presente | Layer 2 — reverb <1.5s |
| envolvente | Layer 3 — saturación ligera + reverb media |
| épico | Layer 4 — reverb larga, poca compresión |
| inmersivo | Layer 5 — delay → reverb → automatización |